“You stick out, and that’s all it takes … and someone thinks they like you. “All you need here is to be a woman,” Katie realizes. And as the resilient Katie moves from one work site to another in the oil sands – adapting to the social dynamics of different locations – Beaton expertly depicts the complexities of operating in misogynistic spaces, where sexual harassment is common. ![]() When she reports to a tool crib for the company Syncrude, Katie must deal with the dehumanizing reality of laboring in an environment where the male-to-female ratio is about 50-to-1. “Even a bad job is a good job you’re lucky to have it.” As oil prices soar and employment opportunities open up in Alberta, she sees a way to “sever that weighted anchor” of about $40,000 in student debt. “I learn, by twenty-one, that any job is a good job,” Beaton writes. Lives are calibrated to regional boom-and-bust trends. Eschewing the distancing irony that characterized many of her “Vagrant” comics, it is the most gripping graphic memoir of 2022, offering an unblinking tale of personal trial set against a nation in economic flux.īeaton is from Cape Breton Island, on Canada’s eastern shore, where coal was once king the industry’s sinking fortunes are also stripping the financial hopes of Nova Scotians (“We’re fiddles and lobster,” she says of her home province) and nearby Newfoundlanders (“accordions and codfish”). ![]() She also has created such picture books as “The Princess and the Pony,” which has spawned an Apple TV+ animated series.īeaton’s soulful masterwork, “Ducks,” her first graphic memoir, documents a period of her life – from 2005 to 2008 – before her comics brought her to public attention. Kate Beaton depicts the experience of being far outnumbered by men in her powerful new graphic memoir, “Ducks: Two Years in the Oil Sands,” which finds her younger self, Katie, dealing with the leering attentions of some male co-workers.īeaton, a gifted Canadian cartoonist, first burst onto the scene about 15 years ago with her popular history-and-literature-laced webcomic, “Hark! A Vagrant.” Since then, she has published collections of her “Hark!” humor, which deftly blends jabs at famous men of patriarchal privilege (see, for instance, her Andrew Jackson takedowns) with plaudits for heroic but undersung women (among them Ida B. ![]() Set the Bleed to 1/8″ (.125 inches) on all sides.For the women who migrated to work in the bitumen-rich tar sands of northern Alberta in the early 21st century, there were many ways for the gritty environment to turn toxic. This will let you set different increments for each margin. If you decide to do this, make sure the link box is not selected. Adding a slightly larger amount for the Inside Margin beside the fold will help to ensure all margins appear even when it is open. Inside Margin: Booklets do not lay flat like a single sheet of paper does. This gives the reader space to hold the booklet, and leaves room to add headers. *Designer Tip: Most designers prefer larger margins, sometimes up to two inches depending on the page size. We recommend nothing less than 1/8″ (.125 inches) on all print projects, however, booklets benefit from adding larger margin than this. This will be the Finished Size of your booklet after it has been folded, stitched, and trimmed ![]() Select Facing pages if your printed pages will be facing each other (for example in a bound book). Select a Number of Pages that are a multiple of four for stitched booklets, and a number divisible by two for perfect bound, coil bound, wire bound or loose leaf books.
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